9.27.2011

On the Making of Shook Ones Pt. II

“I made that beat inside my mother’s house in Queensbridge. That house gave me a lot of inspiration because something could happen outside and I could go upstairs and make a beat. Like, I would have this feeling like, ‘Let me go upstairs and make a beat of how I'm feeling right now.’" -- Havoc

From: http://www.complex.com/music/2011/04/the-making-of-mobb-deep-the-infamous/shook-ones-ii#

9.26.2011

Wikiquote quote of the day:

Once one is caught up into the material world not one person in ten
thousand finds the time to form literary taste, to examine the validity
of philosophic concepts for himself, or to form what, for lack of a
better phrase, I might call the wise and tragic sense of life.
 --F. Scott Fitzgerald
<http://en.wikiquote.org/wiki/F._Scott_Fitzgerald>

9.23.2011

I feel like maybe we're coming into a fertile period for fashion.  I haven't felt interested in anything in fashion since perhaps 2007.  Before, that, the last period of interest was around 2002.


9.22.2011

Futurism

The U.S. faces high unemployment and I feel as if Bernanke's "Twist" is in fact a negative inflection point in the fortunes of the U.S. economy and the global economy as a whole (cf. here).  Ideally, investment money would flow to growing industrial sectors, exports would increase, and employment would pick up, but with the U.S. economy largely service-oriented now, this proposition is pretty lame.  Much industry has already been exported overseas.

Questions:

To what degree will the rich retract and protect the base, effectively walling or gating themselves off from underclass America a la South Africa?

What can be done about unemployment and underemployment?  Do communities of self-sufficiency make sense as a homegrown solution?  Is Mondragon an example or should the communities not focus on factory-like production and economies of scale to succeed (and thereby buck the "rules" of surviving in the global marketplace (e.g. favoring techne (the craftman, mechanic) over episteme (the capitalist rules of the game))?

9.06.2011

How to Rein in Medicaid Costs

 "Fascinating concept, it’s not necessarily a pejorative term ! So, we have implemented a Panopticon without walls."

8.08.2011

Records are Melting

"I’m throwing the records and it’s like, alright, cool we’re going through it. But it’s so hot the heat is actually warping the records. The records is melting! So the records are warping right before me and it’s just like woooommp. And Big looking at me. We had this thing like, every time you make a mistake on stage during the show, you get fined $100. So during the show, Big heard the first womp, and he was like “A hundred dollars!” The record is crumbling up right before my eyes. Then it’s getting bad and Cease is like, “Two hundred dollars!” And then Big, he just stopped everything and was like, “Yo! What the fuck is going on?!” I’m looking and my records look like a piece of bacon back there. Big is tight! He had a water bottle, he threw the water bottle at me, and just walks off the stage." -- DJ Big Kap

7.28.2011

10) Wu-Tang Clan – “Wu-Tang Clan Ain’t Nuthin’ Ta F’ Wit” (Loud, 1993)
Producer: RZA

Sample Source: Allen Toussaint Orchestra – “Theme From Underdog” (M.C.R. Productions, 1989)

Prince Paul: RZA using this is just crazy! I was around actually when they made 36 Chambers and as a result I know that there’s a little sound effect RZA triggers to cover up parts of the actual sample. He tried hiding a scratch on the record with little shakers or claps! [laughs] And you know what? It’s actually my record! RZA used it and never gave it back [laughs]. He was at the crib making ODB’s record and I came by and saw it and said ‘Yo this is mine!’ He just looked at me and smiled [laughs]. I grabbed it right back and left! [laughs]

6. Group Home – “Supa Star” (Payday, 1994) / “Supa Dupa Star (June 1994 Demo Version)” (Payday, 1995)
PRODUCER: DJ Premier

SAMPLE SOURCE: Cameo – “Hangin’ Downtown” (Atlanta Artists, 1984)

DJ Spinna: Premier is the undisputed champ of flips. He’ll take a record that nobody cares about, would never buy, and kill it. Not to say the Cameo album with this song is garbage because it’s got classic cuts on there. But his use of “Hangin’ Downtown” – the intro to that song – is not something that I think anyone would have thought to use, especially in the manner that he used it. It’s just genius, man. Premier has that inner era that’s just unstoppable and untouchable. Nobody can mess with him when it comes to chops and flips. He killed that. And with the alternate mix “Supa Dupa Star” – even more so. Very creative to think that he could revisit the sample and figure out another way to use it.

6. Gang Starr “Above the Clouds” (Noo Trybe, 1998)

Producer: DJ Premier

Sample Source: John Dankworth – “Two Piece Flower” (Fontana, 1967)

JAKE ONE: Premier probably inspired me with chopping more than anybody. I coulda listed so many of his. I remember when that beat came out I listened to the song over and over and over. And then when I found the record he sampled, I was just like, man, this record is so dumb – how did he even just listen to this and find this part and put it with these drums. I don’t know. He’s just the best ever at that – taking just some miniscule shit that’s not really great on its own and making it great.

from: http://www.egotripland.com/prince-pauls-10-favorite-sample-flips/

via LDG