10.07.2009

The Center for Global Studies and the Humanities presents:

De-colonial Aesthesis: A Workshop

The Thesaurus Dictionary offers these definitions of Aesthesis:

aesthesis - an unelaborated elementary awareness of stimulation; "a sensation of touch"esthesis - sensation, sense datum, sense experience, sense impressionperception - the process of perceiving

limen, threshold - the smallest detectable sensation
masking - the blocking of one sensation resulting from the presence of another sensation; "he studied auditory masking by pure tones"

visual sensation, vision - the perceptual experience of seeing; "the runners emerged from the trees into his clear vision"; "he had a visual sensation of intense light"
odour, olfactory perception, olfactory sensation, smell, odor - the sensation that results when olfactory receptors in the nose are stimulated by particular chemicals in gaseous form; "she loved the smell of roses"

gustatory perception, gustatory sensation, taste, taste perception, taste sensation - the sensation that results when taste buds in the tongue and throat convey information about the chemical composition of a soluble stimulus; "the candy left him with a bad taste"; "the melon had a delicious taste"

auditory sensation, sound - the subjective sensation of hearing something; "he strained to hear the faint sounds"

synaesthesia, synesthesia - a sensation that normally occurs in one sense modality occurs when another modality is stimulated

Since the eighteenth century, in Europe, the meaning of the word became associated with “the sensation of the beautiful” and with artistic labor. Art and sensation of the beautiful became synonymous.

From the perspective of the colonies, both concepts and practices were on the one hand alien and on the other hand were instruments for the management of subjectivity (e.g., coloniality of being). These “feelings” never died and today they are erupting in both artistic expressions and in art/literary criticism and history.

(Light dinner will be served)

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